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Over the past years, I have been concerned with the relationship between humans and nature, and with how our understanding of the natural world is shaped by cultural, social, and scientific frameworks of interpretation. At the core of my work lies the question of observation and perception.

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In my practice, I often depart from everyday situations, natural phenomena, or their fragments, which I mediate through various means glass surfaces, translucent layers, and artificial structures. These mediating elements simultaneously enable observation while generating experiences of separation, transformation, and uncertainty. The natural forms that appear in my works are not representations of nature, but rather transformed, mediated imprints of it.

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Throughout my artistic process, the transition between objecthood and image has been fundamental from the outset, as has time as a formative force. In my earlier works, the slow processes of decay and transformation were central, while in my more recent projects, the rhythm and temporality of perception have come to the fore. Alongside sculptural works, I explore these questions through video and installation-based projects. In recent years, beyond the traditional exhibition space, outdoor and site-specific contexts have become increasingly important to me, where environmental factors, light, time, and space, become active participants in the works.